{"id":2546,"date":"2015-08-23T17:53:05","date_gmt":"2015-08-23T23:53:05","guid":{"rendered":"http:\/\/jessemoynihan.com\/?p=2546"},"modified":"2015-08-23T18:20:33","modified_gmt":"2015-08-24T00:20:33","slug":"american-prog","status":"publish","type":"post","link":"http:\/\/jessemoynihan.com\/?p=2546","title":{"rendered":"American Prog"},"content":{"rendered":"<p>When I try to imagine our collective understanding of classic American (60&#8217;s-late70&#8217;s) prog, I assume our minds go pretty much straight to Frank Zappa. He&#8217;s the most widely known and basically ONLY easily singled out U.S. musician who veered into what&#8217;s now labelled &#8220;prog&#8221;. At the time though, maybe he was just considered an ambitious, artsy pop composer, with funny lyrics. I don&#8217;t know, I wasn&#8217;t there. I imagine if he didn&#8217;t have songs about yellow snow, no one would give a shit about him. He&#8217;d be about as celebrated as the D.C. band the Muffins, which is to say, highly respected among music nerds and that&#8217;s it. <\/p>\n<p><iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Qdlfaa-RhFU\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>I often wonder why prog took a back seat to heavy blues\/bar rock in the States. That isn&#8217;t to say no one was trying. Todd Rundgren took a stab at it for a while&#8230;<\/p>\n<p>\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CO0aqSBTVJk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\nIt&#8217;s funny he decided to go in this direction right when punk was taking off. It makes me like him even more. It was basically like committing career suicide, which maybe he&#8217;d been slowly doing with each album after Something\/Anything (until he wrote that terrible &#8220;bang on a drum all day&#8221; song). <\/p>\n<p>Maybe European audiences had a better historical context to appreciate prog bands. Like for example I was in England a year ago talking to fellow comic artist Luke Pearson: I off handedly(?) asked him where he lived and he answered, &#8220;Sherwood Forest&#8221; which brought forth images of Robin Hood dancing in a glade to minstrel music, with druids lurking about. Americans don&#8217;t really have a mystical history. We cut ourselves off from that pagan Wicker Man shit when we sailed over in a boat full of Biblical literalists. So maybe that&#8217;s why American prog lyrics are sort of shitty. Take for example this band Ethos:<\/p>\n<p>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8Aqm6hNc0dY\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\nAt some point they toured with Genesis. There&#8217;s a photo on the web of Peter Gabriel wearing an Ethos shirt. Which reminds me of the other day when I walked into a coffee shop with a homemade Genesis shirt on and the barista thought I was Christian. <\/p>\n<p>It seemed like U.S. record labels either weren&#8217;t willing to promote hometown prog bands or maybe U.S. prog bands just weren&#8217;t as good? Why? Why were there so many mind blowing prog bands coming out of Italy? Meanwhile we were producing shit like Cheap Trick (sorry for the pot shot at Cheap Trick hehe)? <\/p>\n<p>Well you had bands like Yezda Urfa who couldn&#8217;t seem to get a record deal:<\/p>\n<p>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IX6iewSNq2E\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\nAnd bands like Fireballet (New Jersey) who at least had some sort of distribution I think? Also this albums is crazy demented and there really was no way anyone was going to like it, even though I LOVE IT.<br \/>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tE0KDj7rNw0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\nThen you had shit tier Yes clones like Starcastle and heavy proggers Crack the Sky who never held much interest for me. Maybe I need to revisit it. <\/p>\n<p>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Qt3NrMyjTyk\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\nI don&#8217;t know. Anyway if you have any other U.S. 70&#8217;s prog suggestions lemme know. I feel like the prog scene in the U.S. actually blossomed in the mid 90&#8217;s &#8211; early 00&#8217;s with various math rock scenes and the New York avant rock\/John Zorn\/metal circles that took certain prog elements into the post punk underground scene. <\/p>\n<p>I&#8217;ll end with a link to a pretty decent Baltimore (I think) band from the early 80&#8217;s.<br \/>\n<iframe loading=\"lazy\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/6iqffJMmVuk?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When I try to imagine our collective understanding of classic American (60&#8217;s-late70&#8217;s) prog, I assume our minds go pretty much straight to Frank Zappa. He&#8217;s the most widely known and basically ONLY easily singled out U.S. musician who veered into what&#8217;s now labelled &#8220;prog&#8221;. At the time though, maybe he was just considered an ambitious, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[],"_links":{"self":[{"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=\/wp\/v2\/posts\/2546"}],"collection":[{"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2546"}],"version-history":[{"count":4,"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=\/wp\/v2\/posts\/2546\/revisions"}],"predecessor-version":[{"id":2550,"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=\/wp\/v2\/posts\/2546\/revisions\/2550"}],"wp:attachment":[{"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2546"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jessemoynihan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}